Dear friends! Evgeny Efimovich has posted the "Open Cosmos" Gallery on social media.
I would like to share with you my thoughts about Evgeny Efimovich as an artist and about his paintings. Most of us know him more as a traveler, writer, and enlightener, and less as an artist. For me, the concept of an artist was a traditional one — a person who embodies their ideas through brush, pencil, and so on. But in 2001, an exhibition of Evgeny Efimovich's works was organised in Tomsk and the city of Seversk, and it completely changed my perception of him as an artist. Out of more than a thousand paintings created by Evgeny Efimovich, no more than a hundred canvases were displayed at the exhibition — but they were the most expressive ones. Sergei Kunert lived in Tomsk for nearly two months, curating the exhibition — he was the attendant, the storyteller, the guide. I also tried to spend all my free time at the exhibition and help out. It was during that time that I felt, perceived, and delved into these paintings.
The exhibition was called "Cosmic Visions." And they truly are visions — there is no other word for them. Evgeny Efimovich himself said: "What I paint cannot even be called painting. It is more like cosmic visions. I have always painted only by inspiration — as if something came over me… I see the finished image, the colours, the movements immediately. I sketch it in about forty seconds, a minute and a half at most, and if the painting is large, I work on it in colour for two or three weeks."
All the paintings reflect life. There are self-portraits that reflect his state of being: "Harvesting the Fruits," "Self-Portrait Against the Sun," and others. There is a whole cycle about the Universe: "Triptych on Jesus Christ," "Crown of Thorns," "The Radiance of the Lord," "Thought on Eternity," "Triune Cosmos," "Passing By," "Flight in Parallel Worlds," and others. A cycle about political life: "Carelessness," portraits of Gorbachev and Andropov. About nature: "Farewell to Nature." Each of his paintings needs to be deciphered: it carries a specific meaning. Sometimes Evgeny Efimovich would receive a vision, make a sketch, but could not explain what it was. Then, sometime later, the events he had foreseen would occur.
It is very difficult to express all one's admiration in comments — one cannot write everything. I advise you to read Evgeny Efimovich's book "Studies on the Unknown," a story about the mysteries of transcendent worlds, Moscow, 2004. In this book, Evgeny Efimovich writes about the creation of more than 30 paintings — how he received them, through what visions, and at what time.
I want to say one thing: you and I are fortunate to have lived close to Evgeny Efimovich at the same time, to have attended his meetings, read his books, watched films about his travels, worked with the crystals he brought us. And now we have the opportunity to get to know his paintings.