Here you will learn about the artist's work during the years 1986–1999, while he was working in Tashkent

Universal Stage of Cognition

Painting by Evgeny Berezikov - Chintamani Stone, Pointing to the Place of Hermitage in the Pamir Mountains. 1991
Chintamani Stone, Pointing to the Place of Hermitage in the Pamir Mountains. 1991
Cardboard, acrylic. 40х50
According to legend, the Chintamani Stone comes to the wise as suddenly as it departs from them. It depends on whether a person has fulfilled the deed commanded to them by the Cosmos or not.
Mysticism in the Life and Work of Evgeny Berezikov

The Author's Story of the Chintamani Stone


Those who receive the Chintamani Stone become bearers of a special evolutionary mission, and the country into which this cosmic wonder comes passes under the special protection of the Creator of the Universe.
In the second half of 1986, the republican leadership, and indeed the CPSU Central Committee in Moscow, seeing that Berezikov was becoming too free in his novels and short stories (by that time I had already published the novel Red Bukhara about the last Emir of Bukhara and the revolution in Central Asia, and my overly risqué songs had begun to be broadcast on All-Union radio), decided to remove me from party work. And so, according to the directive of the CPSU Central Committee, in 1986 I was transferred from Samarkand to Tashkent — the capital of Uzbekistan — to the position of First Deputy Chairman of the Board of the Writers' Union of Uzbekistan. Here I was already a relatively free man and could devote myself fully to both literature and painting. Moreover, during this period, in the Soviet Union as well as throughout the world, both political and economic changes were clearly beginning to take shape...

It was precisely during the Tashkent period, on November 10, 1990, that I was deemed worthy by the Higher Realm to receive, in a miraculous manner, the messenger of the Cosmos — the Chintamani Stone, the Star of Initiation.

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And as I understood it, all these changes were clearly monitored by the Higher Realm and the Subtle Plane. The Subtle Plane is the totality of the deeds of Angels, Archangels, and all the holy celestial forces, planned by the Higher Realm — the domain of the Lord God Himself — and projected through saints and Hierarchs of the Cosmos onto planet Earth.

Thus, it was precisely during the Tashkent period that I was deemed worthy by the Higher Realm, on November 10, 1990, to receive, in a miraculous manner, the messenger of the Cosmos — the Chintamani Stone, the Star of Initiation. This sacred artefact of the Universal Information Field always comes to Earth to people on the eve of a change of stages in the life of the existing civilisation.

And those who receive the Chintamani Stone become bearers of a special evolutionary mission, and the country into which this cosmic wonder comes passes under the special protection of the Creator of the Universe.

In its time, the Chintamani Stone was received by the biblical King Solomon; the great Emperor of China, who created the Qin Empire, Qin Shi Huang, during whose reign the Great Wall of China was built; Alexander the Great — the ruler of half the world. The Chintamani Stone was also in the hands of the Kievan Prince Vladimir the Red Sun — the baptiser of Rus', and later it was given to Tamerlane. In the 20th century, at the turn of significant cosmic epochs and historical cycles, the messenger of the Great Cosmos came into the possession of Nicholas Konstantinovich Roerich and his wife, Helena Ivanovna.
They received it in October 1923 in Paris (they received a parcel by post with the Chintamani Stone from an unknown sender). On 15 April 1935, in Washington, USA, Nicholas Konstantinovich created the "Roerich Pact" — an international treaty for the protection of historical monuments of the world, which was signed by representatives of 21 countries of North and South America. In 1924, N.K. Roerich wrote the book "The Treasure of the World — Chintamani."

According to legend, the Chintamani Stone comes to the wise as suddenly as it departs from them. It depends on whether a person has fulfilled the deed commanded to them by the Cosmos or not.

On the eve of the 21st century, the Chintamani Stone was also sent down to the Russian, Berezikov Evgeny Efimovich, on November 10, 1990, and remained with Berezikov, orchestrating the next Cosmic events on planet Earth. And the Chintamani Stone departed from Berezikov into the starry realms on December 24, 1993, on the day when the Lord Jesus Christ personally initiated the enlightened Russian into the seventh, highest level of Cosmic consciousness.

To possess the Chintamani Stone was a joy for me, but at the same time, it was deeply stirring. For it is a living material-field structure, endowed with Cosmic energy of unprecedented power, from which a powerful informational-field flow constantly emanates. At times, the stone changes its configuration and weight. In one position, it could weigh 83 grams (I weighed it on apothecary scales), while in another case — evidently when gravitational and energetic changes occurred in its structure, oriented toward the currents of the Cosmos — its weight could reach up to 20 kilograms.

And I should also note another peculiarity: after the Chintamani Stone came to me, I began to receive, almost daily, an immense volume of transcendent information about changes both on planet Earth and in human society. At the same time, I realised that I absolutely had to convey this information to people as quickly and clearly as possible. And I found a way to do this: firstly, I experienced an explosive breakthrough in painting (sometimes I would paint two or three, and even up to five, paintings a day). I began to paint more works with explosive subjects, revealing both the vices and spiritual ascents of people, as well as their predatory and barbaric attitude toward Nature and our smaller brothers; and secondly, making use of my ability to successfully express in written form unusual thoughts about the transcendent deeds of the Subtle Plane, I wrote and published, in a print run of one hundred thousand copies, the first esoteric book in the USSR, "Studies on the Unknown" (Moscow, Fizkultura i Sport Publishing House, 1991).

And why the publishing house "Fizkultura i Sport"? Because other Union-wide publishing houses shied away from this unheard-of Cosmic information. Well, the Cosmos supported me in this unpredictable and uncharted endeavour.
One day, in the afternoon, in the autumn, when darkness was falling outside the study where I usually wrote my works and painted, I saw, on the opposite side, an unusual phenomenon: the walls of the study expanded to extraordinary, heavenly dimensions, and there, against the background of a luminous halo, stood a living Cosmic monolith of gigantic proportions. I painted it the entire evening and throughout the creative night, and now it appears before you in all its beauty.
Painting by Evgeny Berezikov - God-Man. Holder of the World. 1990
God-Man. Holder of the World. 1990
Cartboard, acrylic. 35х50
The God-Man is a Divine hypostasis revealed to Evgeny Berezikov in the parallel worlds in 1990. The God-Man announced to the whole world the beginning, from 1991, of a new plasmoid era of humanity. Behind the God-Man is the symbol of the Cosmos — the Sun; on his head is a crescent moon; and in his left hand is the globe. "If you, being a soul-enlightened person, are pure, then the God-Man will speak with you as well."
Reproductions of Paintings

The Universal Stage of Cognition – My Tashkent Period

A candle is fire. Fire is the sun. The sun is the eye of the Lord God Himself. A lit planetary candle is a symbol of a person's faith in God, who watches over us and warms us.
Painting by Evgeny Berezikov - Planetary Candle. 1990

Planetary Candle. 1990

Canvas, acrylic. 50×100

Painting by Evgeny Berezikov - Hierarch of the Cosmos, Kindling the Fire of Enlightenment. 1989

Hierarch of the Cosmos, Kindling the Fire of Enlightenment. 1989

Cardboard, acrylic. 50×70

Everyone who kindles within themselves the fire of Enlightenment may become a Hierarch of the Cosmos, a co-creator with the Lord God in the salvation of the world and in the translation of enlightened people into Immortality.
Throughout the entire 21st century, the Universal bell has been sounding the alarm for the salvation of a humanity gone mad, for the Sun has already blackened from the abhorrent energies of society. People, hear the anxious alarm of your own soul!
Painting by Evgeny Berezikov - The One Sounding the Alarm. 1986

The One Sounding the Alarm. 1986

Cardboard, acrylic. 50×70

Painting by Evgeny Berezikov - Calling to Enlightenment. 1987

Calling to Enlightenment. 1987

Canvas, acrylic. 50×70

He is our person. We hear him!
This person hears no one, not even himself, for he can no longer even lift the thoughts from his head. And so he sees nothing around him. He is turning into a mutant.
Painting by Evgeny Berezikov - Mutant. 1990

Mutant. 1990

Cardboard, acrylic. 50×70

Painting by Evgeny Berezikov - Cosmos. Gazing. 1990

Cosmos. Gazing. 1990

Cardboard, acrylic. 50×70

What makes a person human? It is when, one day, they consciously begin to gaze into the depths of the Cosmos — only in this way do they enter the currents of Universal reason, which allow them to fully comprehend the Laws of the Universe.
The Cosmos sees everything. The Cosmos knows everything!
Painting by Evgeny Berezikov - He. The Pointing Hand of Heaven. 1989

He. The Pointing Hand of Heaven. 1989

Canvas, acrylic. 50×70

Painting by Evgeny Berezikov - They Leave. 1987

They Leave. 1987

Cardboard, acrylic. 80×100

The rulers and the powerful of this world come and go, but the people always remain.
This question arises in a person together with the awakening of their soul. And only then do they find their true place in life.
Painting by Evgeny Berezikov - O Lord, Who Are We? 1987

O Lord, Who Are We? 1987

Canvas, acrylic. 50×70

Картина Евгения Березикова Будешь таким. Неизбежность. 1984

You Will Become Like This. Inevitability. 1984

Cardboard, sketch, graphics. 25×35

You will become like this. Inevitability. This generation of people from the 1960s prepared from among themselves a man who is half a bio-robot, immersed in technology and electronics up to his head, and he, with the advent of the 21st century, is already preparing for himself a robot with artificial intelligence — a "human" of a new generation...
The ascent to the Olympus of power in the Soviet Union was truly a very difficult undertaking. The professional selection of personnel and their progress up the career ladder was primarily based on business qualities, but at the same time, over the long years in power, a party worker became a stamped cog in the mechanism of state administration and never wanted to yield to anyone. This is how the clan of the Kremlin elders was formed.
Painting by Evgeny Berezikov - Ascension to Olympus. They Are Stamped Out. 1987

Ascension to Olympus. They Are Stamped Out. 1987

Canvas, acrylic. 80×100

Painting by Evgeny Berezikov - Laying of Red Eggs. 1987

Laying of Red Eggs. 1987

Картон, акрил. 30х50

The laying of red eggs during the October Revolution of 1917 is a historical fact that took place, but the tree of statehood was already initially unviable.
Acid rains are falling, and the tree — Nature — bears fruit only halfway. Humanity is well aware of all this, yet in its own deficiency it does not stop. Civilisation is heading toward ruin.
Painting by Evgeny Berezikov - Acid Rains Are Falling. 1987

Acid Rains Are Falling. 1987

Canvas, acrylic. 80×100

Картина Евгения Березикова Рыбьи головы. Что нас ждёт? 1987

Fish Heads. What Awaits Us? 1987

Cardboard, pencils, acrylic. 35×50

The end of civilisation is indicated by fish heads, for the Age of Pisces is already coming to an end. The Cosmos never errs and forgives no one in the Universe their mistakes!
The Sun seemed to be low (close), and the flowers were in bloom, but the swan turned out to be too aggressive…
Painting by Evgeny Berezikov - The Road of Life. 1985

The Road of Life. 1985

Cardboard, acrylic. 70×100

Painting by Evgeny Berezikov - We Have Lived. 1994

We Have Lived. 1994

Картон, акрил. 55х75

Not everything useful is beautiful, and even the fragrance can be intoxicating. In life, it can be the same: to live it without understanding the true values. But for what purpose?
Painting by Evgeny Berezikov - The Big Goat and the Small Goat. But They Are Both Goats. 1988

The Big Goat and the Small Goat. But They Are Both Goats. 1988

Cardboard, mixed media, acrylic, pencil. 50×70

Painting by Evgeny Berezikov - The Bird of Fate with a White Tuft. 1988

The Bird of Fate with a White Tuft. 1988

Cardboard, acrylic. 50×70

She can do anything. If you miss your chance...
In this painting, I prophetically depicted Armenian monks bearing the sacrificial fire. Beneath their feet is molten magma. And in fact, the sacrifice in Armenia took place on December 7, 1988. On that day, the city of Spitak was completely destroyed by a 10-magnitude earthquake. 25,000 people perished.
Painting by Evgeny Berezikov - Bearers of the Sacrificial Fire. 1987

Bearers of the Sacrificial Fire. 1987

Canvas, acrylic. 80×100

Painting by Evgeny Berezikov - The Golden Coffin of Queen Tamara. The Guardians. 1989

The Golden Coffin of Queen Tamara. The Guardians. 1989

Canvas, acrylic. 80×100

The great Queen of Georgia, Tamara, ruled the country from 1184 to 1209. According to legend, she was buried in a golden coffin. The secret of her burial place remains unsolved to this day. Her peace is guarded by an Angel of Heaven, a warrior, and a monk.
The mysterious mask. It is hidden only from those from whom it should be hidden. Seek to understand.
Painting by Evgeny Berezikov - The Mysterious Mask. 1989

The Mysterious Mask. 1989

Cardboard, acrylic. 50×70

Painting by Evgeny Berezikov - Silence. 1988–1990

Silence. 1988–1990

Canvas, acrylic. 50×70

Look at the green flower and you will understand that silence is golden. And do not try to make it speak, for it might tell you something that will make you shudder instantly.
This outstanding sage of ancient Egypt revealed to humanity the secret of the correspondence between the Cosmos and earthly life.
Painting by Evgeny Berezikov - Hermes Trismegistus Observing Deeds: "As above, so below." 1988

Hermes Trismegistus Observing Deeds: "As above, so below." 1988

Canvas, acrylic. 50×70

Painting by Evgeny Berezikov - The Deer-Man. 1990

The Deer-Man. 1990

Cardboard, acrylic. 50×70

The Deer-Man. This vision of a double was revealed to me on a train from Moscow to Prague in November 1989. This mystery revealed to me the patterns of my transition into parallel worlds. The ancient sages say that the Lord God Himself may appear to a person in any form, including that of a Deer.
Painting by Evgeny Berezikov - The Supreme Hierarch of the Cosmos at Work. 1995

The Supreme Hierarch of the Cosmos at Work. 1995

Canvas, acrylic. 50×70

Painting by Evgeny Berezikov - Falling Meteorite. 1989

Falling Meteorite. 1989

Cardboard, acrylic. 55×75

This planetary event was shown to me 24 years before the fall of the Chelyabinsk meteorite, which occurred on February 15, 2013, and which became a carrier of the Cosmic program heralding the change of civilisations on Earth.
A hurricane is not the result of an element, but a product of lost human souls. This is how Nature responds to us for our "efforts."
Painting by Evgeny Berezikov - Hurricane. 1987

Hurricane. 1987

Cardboard, acrylic. 80×100

Painting by Evgeny Berezikov - Those Standing Between the Columns. 1989

Those Standing Between the Columns. 1989

Cardboard, acrylic. 50×70

Those standing between the columns are the ones who keep humanity in balance. The columns represent harmony. And the Sun is the Cover of Heaven.
Painting by Evgeny Berezikov - Jesus Christ, Supporting the Sun. 1994

Jesus Christ, Supporting the Sun. 1994

Canvas, acrylic. 140×200

Painting by Evgeny Berezikov - The Fifth Dimension. Thought. 1989

The Fifth Dimension. Thought. 1989

Cardboard, acrylic. 50×70

It is precisely there, in the Celestial Realm, according to the laws of the Lord God, that the true assessment of a person's deeds is given...
Painting by Evgeny Berezikov - The Seeking of Truth. 1993

The Seeking of Truth. 1993

Canvas, acrylic. 35×50

Painting by Evgeny Berezikov - Those Who Have Attained the Divine Sphere. 1996

Those Who Have Attained the Divine Sphere. 1996

Canvas, acrylic. 50×70

This miraculous visionary phenomenon occurred on May 10, 1996, when I, together with my disciple Sergei, arrived in the city of Novy Urengoy, beyond the Arctic Circle, to hold meetings. While in the hall of the Palace of Culture of Oil Workers, I saw myself in the image of a triune man, standing in a most powerful flow of transcendent Cosmic energies. This vision was complemented by Angels soaring in the Heavens. This was my first active entry into the Universal stage of the era of the Change of Times.
Painting by Evgeny Berezikov - Crowned Head. 1995

Crowned Head. 1995

Cardboard, acrylic. 35×70

Painting by Evgeny Berezikov - The Pillar of the Family. 1988

The Pillar of the Family. 1988

Cardboard, acrylic. 35×50

This little scene is almost from my own life.
Painting by Evgeny Berezikov - Born in the Lotus. Triptych. 1996

Born in the Lotus. Triptych. 1996

Canvas, acrylic. 50×70

Painting by Evgeny Berezikov - Luminous Christ. Triptych. 1996

Luminous Christ. Triptych. 1996

Canvas, acrylic. 50×70

The Son of God, Jesus Christ, leading planet Earth and humanity into Ascension.
Painting by Evgeny Berezikov - Fiery Christ. Triptych. 1996

Fiery Christ. Triptych. 1996

Canvas, acrylic. 50×70

Painting by Evgeny Berezikov - Constellation of Man – The Sign of the Connected One. 1993

Constellation of Man – The Sign of the Connected One. 1993

Canvas, acrylic. 35×50

The painting was made on the cover of a book (the back cover) in Lhasa, the capital of Tibet. When photographing the drawing, I placed on the image of the Angel of Heaven the sacred artefacts acquired in Tibet: a Buddha seated in a Lotus, the circle of the Universe — rose quartz, a drop of rock crystal, and above, lapis lazuli — the symbolism of the Cosmos.
Painting by Evgeny Berezikov - Angel Carrying the Glad Tidings of Ascension. 1996

Angel Carrying the Glad Tidings of Ascension. 1996

Watercolour. 20×25

Painting by Evgeny Berezikov - Open Cosmos. 1987

Open Cosmos. 1987

Board, acrylic. 75×100

Everything depends on the Cosmos: the fate of man, the fate of planet Earth, and the fate of the Cosmos itself — because the Cosmos is the Lord God Almighty, because He is everything and everywhere.
Painting by Evgeny Berezikov - Everything Depends on the Cosmos. 1988

Everything Depends on the Cosmos. 1988

Cardboard, acrylic. 50×70

Painting by Evgeny Berezikov - The Dyad, Standing Against a Starry Sky. 1987

The Dyad, Standing Against a Starry Sky. 1987

Cardboard, acrylic. 50×70

This is the symbol of the single Spirit of John the Theologian and his successor in our days — the Russian, Evgeny Berezikov.
Big Barabashka is a symbol of Universal reason.
Painting by Evgeny Berezikov - Big Barabashka. Holder of the Universe. 1989

Big Barabashka. Holder of the Universe. 1989

Board, acrylic. 75×100

Painting by Evgeny Berezikov - Allegory. Someone Playing with the Globe. 1990

Allegory. Someone Playing with the Globe. 1990

Cardboard, acrylic. 50×70

Someone is playing with the globe. Or perhaps it is we, people, ourselves?!
Painting by Evgeny Berezikov - The Universe and Man. 1988

The Universe and Man. 1988

Canvas, acrylic. 60×80

Painting by Evgeny Berezikov - They Joined Hands to Save the World. 1987

They Joined Hands to Save the World. 1987

Board, acrylic. 75×100

Ascended race of humanity. And the green earthly dog and the blossoming branch bearing fruit bear witness to this.
Painting by Evgeny Berezikov - Madonna of the Parallel Worlds. 1991

Madonna of the Parallel Worlds. 1991

Board, acrylic. 50×75

Painting by Evgeny Berezikov - A Midsummer Night's Dream. 1988

A Midsummer Night's Dream. 1988

Canvas, acrylic. 50×70

Painting by Evgeny Berezikov Symbol of Love. 1990

Symbol of Love. 1990

Cardboard, acrylic. 50×75

Painting by Evgeny Berezikov - Madonna Who Does Not Raise Her Eyes. 1989

Madonna Who Does Not Raise Her Eyes. 1989

Cardboard, acrylic. 50×70

She guards the secret of her forbidden fruit.
Dedicated to newlyweds. "May love protect you for ever and ever."
Painting by Evgeny Berezikov - Symphony of Love. 1988

Symphony of Love. 1988

Canvas, acrylic. 60×80

Painting by Evgeny Berezikov - Holder of the Luminaries. 2003

Holder of the Luminaries. 2003

Cardboard, acrylic. 80×100

I painted this painting specially for my exhibition in Tashkent, following my journey to Antarctica. In the hall of the Union of Artists, my large photographic panels from the South Pole were on display: icebergs, penguins, the icebreaker — but by then the audience already knew me as an artist. So for this exhibition, I urgently painted several works. "Holder of the Luminaries" is one of them.
Painting by Evgeny Berezikov - Bachelor of the Spirit of the Earth. 1999

Bachelor of the Spirit of the Earth. 1999

Cardboard, acrylic. 50×70

Painting by Evgeny Berezikov - Found on the Road. What Is It? 1987

Found on the Road. What Is It? 1987

Холст, акрил. 35х50

Evgeny Berezikov only understood this vision after he received the Chintamani Stone from the Cosmos in November 1990.
Evgeny Berezikov with the Chintamani Stone.
Evgeny Berezikov with the Chintamani Stone.
The messenger of the Cosmos — the Chintamani Stone. This stone — the Star of Initiation — was with Evgeny Berezikov from 1990 to 1993.