An amazing man Evgeny Berezikov
is 91 years old!
Here you will learn about the artist's work in Moscow — from 1999 to the present day
Man – The Sign Child of Nature
My Tashkent creative period lasted for 13 years, during my residence in Tashkent from 1986 to 1999. During this time, I painted more than 300 paintings and sketches for them, based on visions from the Cosmos. And these were not merely paintings, but casts, copies of those events that the Subtle Plane from the Celestial Realm was intensely projecting onto me during that time. It became the starting point and the beginning of my Moscow period of life and work.
In December 1999, I moved to Moscow for permanent residence.
In my visions, there was the symbolism of the collapse of the USSR, of wars in various parts of the planet, of the destruction of Nature, and, most importantly, of the accelerated degradation of humanity. But there were also clear actions of the Subtle Plane, teaching me in the fields of cosmogony and esotericism. For instance, in November 1989, while I was in Czechoslovakia, in Karlovy Vary, during the day and in a state of waking consciousness, I was physically taken out into open space, where I observed the transcendent world of the Universe for four hours. And in November 1990, I miraculously received from the Cosmos the mysterious Chintamani Stone, which actively initiated me into the Planetary program of preparation for the Transfiguration and Ascension of both planet Earth and all of humanity. Furthermore, during the Tashkent period, I wrote and published such works as: "Legends and Secrets of Central Asia," a collection of biographies of the saints of Islam, and novels about the Emir of Bukhara and about Tamerlane. During this same period, I also wrote and published, as the first in the Soviet Union, an esoteric work entitled "Studies on the Unknown." These works were published in Tashkent, Moscow, and Kazan, with a total circulation of over one million copies.
Together with my spiritual companions, between 1995 and 2020, I made journeys to more than 40 countries of the world and to all six continents, including the North and South Poles of the Earth.
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This was due to the fact that, starting from 1994, I began to actively travel to the countries of Europe, Asia, Africa, and the Americas, to the sacred and energy sites of the planet. Thus, together with my spiritual companions, between 1995 and 2020, I made journeys to more than 40 countries of the world and to all six continents, including the North and South Poles of the Earth. Naturally, it was more convenient for me to undertake these journeys from Moscow. Moreover, I was a member of the Union of Writers of Russia and a member of the Russian Geographical Society. And so, one of the last paintings of my Tashkent period was a work entitled "Bachelor of the Spirit of the Earth," after which came the paintings of my Moscow period.
Evgeny Berezikov
Evgeny Berezikov
Points the Way. Look. 2003
Cardboard, acrylic. 80×100
The portrait was painted by me in 1999 for the 200th anniversary of the birth of the great poet. Pushkin is our everything!
Alexander Pushkin. Prophet of the Russian Land. 1999
Cardboard, pencil, acrylic. 50×70
Versatile Talent. 1999
Paper, gouache. 35×50
He has a seven-span forehead, a mark on his face, and a heart like a ripe apple. And, judging by everything, he knows a great deal and has read more than enough works. But his black chin is a warning — has this man ever stumbled over his own talent, and will he let it scatter to the winds??
Many wonders are connected with this painting, on which the Angel of Heaven is depicted. I painted it on the reverse side of the icon of the Trinity: God the Father, God the Son, God the Holy Spirit. I painted it in 1999 and placed it on the altar among other icons (the painting was on the back of the icon). It was only in 2018, when we were preparing for a trip to Madagascar, that Sergei, while cleaning, turned this icon over and discovered the painting depicting the Angel — the Sower of the New Seed. And it was precisely for this purpose that we, enlightened ascetics, were setting out for the island of Madagascar in 2018 — to sow a new human seed there.
Sower of the New Seed. 1990–2018
Cardboard, acrylic. 20×30
The Lord Jesus Christ Leads People into Ascension. 2000
Board, acrylic. 50×75
The painting was completed on April 30, 2000, on the day of the great feast of Holy Easter. Here we all are...
This painting was also created for the exhibition following the Antarctic expedition. Here is depicted Man — the triumph of Nature!
Live! 1999
Cardboard, acrylic. 80×100
Prayer. The Twelve Stages of Life. 2003
Cardboard, acrylic. 80×100
God is far away, but if you are in prayer, then the Lord God is beside you and He is within you, with His Cover.
This painting is a symbol of the fact that by the 21st century, planet Earth itself, due to the abhorrent behaviour of people, is already in a state of crucifixion...
Crucifixion on Earth. 2001
Cardboard, acrylic. 80×100
Saw Myself in the Eye of the Lord God! A New Era Has Begun. 2015
Canvas, acrylic. 35×50
During a meeting with enlightened ascetics in the city of Kazan on September 27, 2015, at one point during the lecture, I unexpectedly raised my hands above my head, because I saw myself in the Cosmic distance, sitting in the eye of the Lord God Himself. And at that moment, an Angel of Heaven said: "You have become a Planetary phantom of Heaven."
Bearer of Divine Energy. 2003
Canvas, acrylic. 35×50
Beginning in 1999 and continuing to the present day, during my Moscow period of creativity, the main flow of energies from the Cosmos and spiritual information from the limits of the Universal Information Field has been directed — and is still directed — toward journeys to Planetary sites, to those places determined for me by the Subtle Plane and the Higher Realm: to places where energetic phantoms are concentrated, which absolutely had to be prayed for or de-structured on the path of the planet and humanity toward Transfiguration and Ascension. Only symbolic paintings came through. However, the number of personal exhibitions of my paintings increased many times over. The primary reason was a television programme with my participation on Channel One, in the section "Before and After Midnight," hosted in those years by Vladimir Molchanov.
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